Cairns #48
End of the Long Nights, 2007


The mission of H.O.P.E. is to turn the prow of our entropyship, the Earth, back upstream so that Earth’s evolving consciousness may explore the headwaters of the Universe for billions of years to come. The work of H.O.P.E. is to make visible the larger relationships we live within - relationships that inspire visions of wonder and works of hope.

Lowering the baseline of winter floods

Every side stream I see, as I kayak the Sacramento River, flows at the base of a ten foot “gully” etched into a broad level expanse of fertile soil. I’ve never read an explanation for this but have finally come up with my own: it may be an unintended hydrologic consequence of a dam like Shasta Dam that is used for “flood control.” The Sacramento River drains an area that receives most of its precipitation as winter rains. Storms are often intense locally, putting a lot of water in one sub-drainage of the river while not causing the main stem of the river to rise significantly. But every ten or so El Nino years, we get rainy seasons when it rains throughout the region for two or three weeks. Those are the flood events that Shasta Dam controls. A lot of water rushes down from all the headwaters. The lake level can be rising a foot an hour. The dam managers do a dance with the weather forecasts. They want to keep the outflow low enough to prevent serious flooding downstream but they also don’t want to have the inflow so much greater than outflow that the water overtops the dam. So outflow must increase. The main stem rises several feet. But it’s only a portion of what it would be without the dam. It has been more than sixty years since the Sacramento has swelled to full flood.

What happened predam during full flood? The main stem would rise ten or fifteen feet. The rising river backed into every side drainage, forming backwaters where the flood current swirled off into slow eddies. Lots of a flood’s load drops off in eddies. In addition, the eroding material being carried down by the side stream hits this slack water and drops out. Over time, the lower end of all the side drainages fill with level deposits of fertile sandy silt. It’s a floodplain, not of the side stream, but of the main Sacramento. Loam soil deposits are 30 feet deep in some places. Some of these stream floodplains are ten miles upstream; the river backed up that far.

In following winters, local storms would send floods down certain side drainages. The local flood would rush across this level terrace and start eroding down through it. Every ten years or so, however, the region-wide storms would fill northern California and the Sacramento would back up into every side drainage and level it again with silt.

But now Shasta Dam prevents the main stem from rising high enough to back up into all those side drainages. Now every flood that comes down a side drainage flows towards a river held relatively low. Over the decades, all the side drainages have cut down through their deposits and now flow ten feet below the level terraces where the floods once swirled off in huge eddies.

 

Chrysalis news

Chrysalis is moving towards something amazing. Long-time readers know that Chrysalis, the charter school my wife and I helped found, has been site-challenged for the last couple of years. This has limited the school’s power. Using two inadequate rented sites separated by five miles has caused all of us, teachers and parents alike, to have to expend far more time and energy in everything we do.  The challenge has occupied far more of my attention and consciousness than I would wish, as the school administrator. However, we have held steady in the hope that allies will emerge to help us in our good work.

Suddenly, in the last two months, a path is opening up more perfect than I ever could have imagined. It is not yet definite and barriers could still arise, but we might be receiving the donation of a 275 acre ranch that is perfect from the perspective of Chrysalis’s educational mission. The spine of the ranch is a year-round stream that has salmon spawning in the fall. The stream’s (actually Sacramento River’s) floodplain forms more than a hundred acres of the ranch’s prime agricultural soil. This portion of the ranch is currently being managed as alfalfa and cattle range. The floodplain ends at a steep slope that rises about fifty feet onto mostly open “plains” with a few inches of poor soil above hardpan. The school would be on this non-arable rise with views overlooking the fields below and looking out towards Mt. Shasta and Mt. Lassen. Near the school site is a historic pioneer cemetery that is a wonderful educational—and philosophical—resource for the students. (Many infant graves there.) On the other side of the road is a 2000+ acre ranch that has a conservation easement so between the two ranches, there will be a vast expanse preserved in perpetuity as open space. This is important because there is a stillness and peace about this area that drew Alysia and me instantly the first time we encountered the area more than ten years ago. The first time I showed Alysia the pioneer cemetery, she wanted to be buried there.

One of the reasons the donors like Chrysalis is because we rise to the idea of managing the land “in perpetuity.” As we and the donors talk to people around us, they often say that “in perpetuity” means hopefully two or three generations because you can’t control the future. “In perpetuity” is a time scale we humans don’t practice much but it is a wonderful mindset to operate from. The National Park Service, at its finest, practices that mindset. In perpetuity means that ten thousand years from now, another Ice Age might bring a glacier down into the valley so one can’t state that the land will always be planted in apple orchards. One needs a managing governance that is held firmly to the intent while being given the flexibility to maintain it in the face of unpredictable changes. My current formulation of our intent is “It is the intent of the Chrysalis Nonprofit to maintain the ___ Ranch in perpetuity as an undivided and intact, vibrant, integrated living system that supports local biodiversity while contributing to the well-being of the human community, especially by deepening learning about the connection between humans and the rest of the natural world.”

What excites me about this possible donation, beyond the land itself, is the synergy I envision within an organization that is immersing children in understanding and caring for the land at the same time the adults of the organization are learning to manage it more wisely. The two missions reinforce one another. At this site, I truly believe Chrysalis will be positioned to develop into a profound contributor to place-based education for centuries to come.

Another wonderful advantage of a donation is that we would not have to spend our limited funds on purchasing land. Instead they could go towards developing the site. Our ultimate goal is a model “green” school. However, because of the undeveloped, rural nature of the site and because our funds are limited, we have a cash-flow challenge to get the site up and running even with using just the minimum number of leased portable buildings. We received from the state a grant for $360,000 and a low interest loan of $250,000. That’s about what we have to work with currently. If you know of anyone who would be interested in donating or lending money to help us get established in our place for perpetuity, please let me know.

 

Interesting Convergence

This year’s eighth grade class has gotten into an exploration of “our true self.” I gave them the assignment of creating some expression either of their true self or the interplay they feel between their true self and their culture at large. Interestingly, most of them chose to express this through drawing.

Meanwhile, the latest issue of Environmental Architecture and Phenomenology had two articles concerning the architect Christopher Alexander’s latest opus, The Nature of Order. In Alexander’s “Empirical Findings from The Nature of Order,” I came upon this complex but key sentence: “It appears that the process of making a living environment  succeeds or not  to the degree that the making process is based on the repeated use of the criterion, ‘How much is this part, that part, or that whole like my true, inner self?’”

I think much of what I like about Chrysalis grew from our groping with that question. Not in that particular phrasing but in that intent of the mind and heart. An example is that the true self is always exploring, always stirring together new experiences with established ideas. Chrysalis is a place where students and teachers can bring in new ideas and pursue interests. We are not confined to the track of a prescribed standards-based curriculum. An example of this is that Alexander’s idea of the “true, inner self” as criterion tied in so nicely with my eighth graders that  I read that sentence to them the next day and then asked, “what would a school look like that matched your true, inner self? Describe that school.” I was surprised at how easily the students got into productive thinking about the topic. Interestingly, the most common response was some variation on a tree house, both literally as a house in a tree and perhaps as a symbol of how the roots grow down into the dark earth and the branches grow up into the airy light.

“Beauty is not on the map. Seek and ye shall find.”

I love that quotation from On the Loose because it is so true. The land draws us to beauty if we learn to follow its scent. I just love roaming cross-country following my aesthetic nose. It is so different from following a trail. One reason is the psychological open-endedness of it. I am responsible for each step and each step leads to a new perspective that alters my intention for the next step. When I’m off the trail, my eyes and mind are much more open to being molded by the world around me.

But there is another reason that has to do with the nature of the world. The way it unfolds as I draw nearer. The way beauty nests. I’ve struggled with this essay for a month and I can’t integrate it. So let me try two different approaches to this subject.

The first is specific. Cross-country hiking this winter led me to a terrain of enticing gentle oak-covered hills set slightly higher than a vast prairie of grasses stretching towards snow-capped peaks. The roaming uncovered an unexpected side canyon full of green light. This canyon draws me back to roam. One time I was just below its rimrock edge. A curving cliff of dark emerald-green moss-covered rocks created an intimate, tree-filled space. But with one step upslope, my eyes rose above the level of the rim rock and I looked out onto a landscape of golden grasses and open slopes that left ample space for a blue vast sky. I moved back and forth across the rimrock’s visual horizon. In such a place I am fully aware of what an incredible gift movement, vision, and consciousness are in combination with the surface of this earth. Two minutes later, I am being lured by the expanding view up the open slopes towards a gentle ridge. Living is dancing.

Here is the second, more theoretical approach. In Christopher Alexander’s article, he talks about “living centers” and how they arise in both the natural and human-formed world. These centers interconnect in a recursive way that creates other living centers on different scales. Through these connections, wholeness is extended. These living centers induce deep feelings of connectedness. Perhaps this explains the delight I feel on these walks. In seeking beauty, I am exploring these connections, coming into the wholeness of a place. And this is not metaphorical. Alexander’s deep theme is that these centers and connections are empirical. They are the nature of the world itself, not a subjective feeling we impart to it. The example that comes out of my walking is drainages. Water flows and gathers and nourishes in certain ways and these patterns create fractal drainage patterns that shape (and connect) the land and these shapes are one of the constant forces guiding my cross-country walking. As I follow the slopes, there is a rhythm, a predictable scent ahead of what Alexander calls “living centers.” It’s part of the land, and seeking this beauty brings me into connection with the nature of the world.

P.S. I took Alysia to this area the day after writing the above. In the canyon, I saw an example of living centers. Three large blocky boulders dominated a section of stream channel. Each green moss covered boulder was a living center. A pile of small, rounded rocks filled each of the voids between these rocks. Each of these piles was another living center on a smaller scale filling in between the larger living centers with an opposite (small, rounded many, filling in) pattern yet echoing the dominant pattern. That is how wholeness grows and extends.

 

Moving Upstream

A metaphor I use in my book is “moving higher in the drainage” to find a place that is within our power to shift. I’ve always kept this image as a non-specific metaphor because I believe it is then a powerful brainstorming tool for working with numerous downward spirals. However, many recent experiences suggest the importance of the following example.

Do the work of bringing into each interaction with others the magic of selfless service. This is more than a Pollyanish sentiment of “be nice to others.” I purposely combine “work” with “magic.”

I believe one of the most important spiritual habits we need to adopt is that many of the blessings of life come from work. Unfortunately, so many of us earn cash by working for others that “work” has taken on the sense of something we wouldn’t be doing if we had enough money. But I mean “work” in the way physicists mean it; work is that which raises the potential energy of something. Good work can be like a dancer doing daily stretches. A light yet steady upward exertion; a bringing of one’s best with an intention of speaking truth; an awareness that at any moment the light within us all might suddenly shine brighter.

There was a period in my life when I was kind and helpful to those whom I thought might be helpful to me later. This was judgmental, manipulative, and, more importantly, limiting. The more appropriate image for each interaction is rain touching the ground. One of us is the rain drop; the other, the soil. The rain drop moistens the soil and creates a whole new biochemistry of possibilities. The soil absorbs the rain drop and stops its seaward momentum, transforming its kinetic energy into a potential energy that can create new possibilities. Possibilities emerge that neither rain drop nor soil alone could imagine. One of the possibilities that occasionally emerges in human interactions is the kind we later tell stories about—some unanticipated synchronicity creating a fantastic collaboration. These definitely happen but there is also a smaller magic happening on a daily level that is just as important. These courteous interactions create trust and friendliness and a gentle opening, which allow other such interactions to flourish. This creates the “magic” atmosphere of “who knows what is possible?”

YouTube

I’ve taken the three minute “conclusion” of my DVD, The Upward Spiral, and put it on YouTube where hopefully its message of hope can reach a new audience.

You can watch it by going to my homepage (www.krafel.net) and following the link. I’d appreciate it if you could go there and both give a rating to the three minute section and email the link to others who you think would enjoy it. Those are the things that help YouTube submissions rise high enough in the “rankings” to attract the attention of those searching for something new and different. Thank you in advance for your help this way.

I also uploaded videos of two very short talks I gave at church that I think you would enjoy. One is a fun talk about the complexity of time lags. The other is a summary of what flowing water has taught me about dancing with upward spirals. You can get to them in one of two ways. One is to go from my homepage to the H.O.P.E. page where there are links to the two videos. The other way is, if you are at the Upward Spiral YouTube page, to click on the button to see other videos by the same person.

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